【摘要】 《水浒传》以天罡地煞神话为全书叙事纲领，统摄以“忠义”为叙事线索的梁山好汉故事，形成以神话为叙事之纲、神意与人事双线共行、双线首尾闭合的文本架构，此即“天—人”结构，是明清长篇小说中一种新颖的文本结构形态。这一结构形态的文学渊源应是《宣和遗事》和《三国志平话》。《水浒传》“天—人”结构多为明清长篇小说所规摹，成为一种具有普遍性、影响深远的文本结构形态，这从一个方面显示了《水浒传》在明清小说史上的杰出价值。更多还原

【Abstract】 The narrative outline of Water Margin was the myth of Tian Gang and Di Sha,and the narrative clues of Liangshan heroes’ stories were loyalty and righteousness.They together constituted the narrative structure of the entire book. This was the structure of Heaven and Man, which was new and original in the novels of the Ming and Qing Dynasties. Its literary origins were Xuanhe Yishi and Sanguozhi Pinghua. This structural form had a profound impact on the history of Ming and Qing novels.更多还原